Crossing paths with Kayce, John expressed his delight that his plan for his son was working out so well.
Name didn’t mean anything to John - not yet, anyway. Rip also reported that the dead man and his son had been working for a guy named Roarke. ‘THAT TRAIN ONLY RUNS IN ONE DIRECTION’ | Later, Rip reported to John that he’d gotten back that “thing” that he wanted retrieved from Wade. Now, “if you’ll excuse me,” she said, “I gotta kill someone, too.” A Nietzschean to the core, she believed in loving with your whole soul and killing anything that wants to destroy what you love. When he wouldn’t tell her the names of the deceased - maybe he didn’t know Wade’s son’s name, either - she decided that she didn’t care. “They save that for the losers.” (She’s growing on me, that Angela.) When Rip returned home after his long, long night, Beth joked, “Who’d ya kill?” only to realize that, oh, he had killed someone. “Winners are never judged by how” they win, she pointed out. He was trying to go about things in a moral way, and there was no room for morality in a war. “Ya kill the king.” (Gulp.)ĭuring a meeting with Rainwater, Angela derided the chief and scoffed at his hopefulness that one day their tribe would again call Yellowstone home. But how? “Simplest thing on earth,” said Garrett. When talk turned to Yellowstone and how Jamie was about to lose the place that he’d been raised to run, Garrett told him that it wasn’t a place but an empire. So I did what I did” - and looking at what Jamie had become, he didn’t regret it, either. “I knew that you had only one chance in life,” Garrett said, “and that was without her in it.
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He’d come home from a long haul to find Jamie screaming, using a crack pipe for a substitute nipple, and his mother getting screwed over the sink. At Garrett’s place, Jamie’s biological father shared the sordid story of the day that he killed his boy’s mother. Not only was Mia perturbed about Jimmy having been branded, but Lloyd was understandably a bit crestfallen to see Laramie waking up in Walker’s bed. ‘HE’S LIVING PROOF THAT ONLY THE GOOD DIE YOUNG’ | As “The World Is Purple” began, tensions were running high in the bunk house.
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